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The panel covering the resonator is made of bronze, hence the difference in colour that makes it stand out so clearly from the rest of the body. This configuration of 14 open frets only existed for a few months, even if we could swear that all the Duolians were like that, such is the strength of the impression that this look made on guitarists and collectors. Entdecken Sie Mark KNOPFLER (Dire Straits) National duolian Resonator Gitarre Miniatur Replika in der großen Auswahl bei eBay. Indeed, the format with 14 frets beyond the body was only introduced at the end of 1934 (before that 12 frets on the neck was the standard, which is necessarily more restrictive), and the openwork headstock was replaced with a solid one in 1936.
NATIONAL DUOLIAN GUITAR ALS FREE
The body is unadorned, free of all the decorative touches usually seen on these instruments, which makes it a rare model. This Duolian was made by National, as evidenced by the beautiful logo on the headstock. It is also well known that they NEVER play well with jacked up action and bowed necks. The agreement between the two men was short-lived: the first resonator guitar left their workshop in 1927, and in 1928 John Dopeyra founded the firm Dobro (a contraction of Dopeyra Brothers) with his brothers, but National continued to exist. It is widely known that Duolians are highly sought after vintage guitars. He set up the National brand with his partner George Beauchamp, a lap steel player who would play a colossal role in the electrification of the 1930s via Rickenbacker. This model however is highly regarded as a great sounding instrument, the classic Delta Blues machine, just not very fancy. The Duolian was National's most basic and least expensive resonator guitar model at the time. With this built-in speaker, the guitar gained power and produced a sharper, more aggressive sound. Vintage National Duolian single cone resonator guitar from 1932. Ein gewisser Matt baut die Dinger Stück für Stück von Hand, entsprechend lang sind die Wartezeiten. Before the invention of amplification, which won the race for volume once and for all, a Californian luthier by the name of John Dopeyra had the ingenious idea of installing a resonator in the body of the guitar. Die Mules gelten als DER heisse Scheiß in der Szene.
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anything and everything to avoid being supplanted by the banjo, which could at least produce significant volume. In the 1920s, the guitar was looking for a way to gain volume and make itself heard in the big bands of the time: steel strings, bigger bodies.